From The Studio To The Spotlight With Anabel Rose

Issue 7.0   Mar. 2026

Interview Conducted by Kolade Motirolaoluwa

Designed by Chiagozie Mbuba

Q. Can we get an insight into who Anabel Rose is?

A.  My name is Anabel Rose, and I'm half Filipino and half Ghanaian. I categorize myself as an alternative pop artist because I love experimenting with the genres I grew up with—I don't like being boxed in. My music focuses on emotions and vulnerability, especially my own. I grew up in Ghana and have only been to the Philippines a few times.

Q. You are what a lot of people would call a young prodigy as you started singing at the age of 8. What would you say led you into the creative space?

A. I started singing at 8 because, as someone with Filipino roots, singing is just in our blood. I loved Celine Dion and all the classics as a child. I was already enrolled in guitar classes at a young age too. Although I was performing, I didn't really see myself heading into the creative space until I became an adult. My first dream was actually becoming a scientist.

Q. As an artist of two nationalities, do you think your growing up as a part of two cultures influenced your craft?

A. It definitely has. Growing up with two cultures in my house gave me an early appreciation for both, and that translated into me fusing a lot of different influences into my music. It also helped add depth to what I create.

Q. As an Alternative Pop Artist,what influenced your style of music?

A. I'd say it's just the music I grew up with and trying to stay true to all the things that shaped me. After coming back from school abroad, Afrobeats would have been an easy route to take, but it wouldn't have been me staying true to myself. I love experimenting with my music.

Q. You are set to release a new song titled “Imperfect Daughters”. The title of this song speaks volume,so would you like to share with us the inspiration behind this title?

A. I grew up with music always being in my life and with really supportive parents. But I was chasing the dream of being a scientist because of societal pressure—I needed to make people proud of me. I ended up figuring out that science wasn't for me, although I still pursued computer science. At that point, I had to make a choice between what I felt people wanted and what I actually wanted. The greatest battle I faced was an internal one between myself and my younger self. That's basically where the title came from.

Q. Your style of music as you have always said is to tell a story which I believe was done perfectly on this song. How did the inspiration for this song come about?

A. I wrote this song early last year. My producer sent me a guitar loop, and I immediately recorded a freestyle to it. I think that's what gave it such raw emotion, coupled with the fact that I was in a really volatile space after quitting my 9-to-5. I had so many emotions, and music was simply my only escape. That's where the song came from.

Q. Pieces of Artists are often found in their songs, the melody and the lyrics. Are there pieces of you in “Imperfect Daughters"?

A. Yes, "Imperfect Daughter" is more than just a piece of me, it's literally me opening myself up to people in a completely vulnerable state.

Q. The emotions on “Imperfect Daughters” was raw and heartfelt,even if I say so myself. After writing the song,how was your post recording phase? Were you extremely picky with the beats and all of that? And how did you come up with the finished masterpiece?

A. It was a pretty straightforward process. After the guitar loop was sent, we went to the studio, and I told the producer what I wanted and how I wanted it. So it wasn't really hard to bring my vision to life. From the demo to the final masterpiece was a lot of work, and I'm really excited to see how people receive it.

Q. To all the daughters out there who think they are not enough or think they are a disappointment but are looking forward to listening to Imperfect Daughters,do you have any words for them?

A. Yes, I'm already getting some traction from the snippet. What I would say to anyone is: always put yourself first and listen to that voice inside of you. Even if your dreams feel scary or like they're too much, just keep going.

Q. The cover art and rollout for “Imperfect Daughters” has been impeccable so far. How did you come about the idea for the cover art?

A. I knew the song needed to lean heavy on nostalgia since I'm telling my story. I usually like to do random things for my cover art, but this song felt so raw that I knew I needed to use an old picture of me. The cover is an old photo of my mother and I, and I think it really drives that nostalgic feeling. There's also brown paper in the design, which reminded me of childhood.

Q. Being an artist is hard. However being an indie artist is even harder. How do you cope with the everyday struggles and pressure of being an artist?

A. I think my team grounds me because I'm an overthinker who's always spiraling about the voices in my head. But I'm also the only one who truly knows myself and my journey, which is quite easy to forget. So I always remind myself who I am, and I'm always learning.

Q. You are an artist with an impeccable discography,an amazing talent but has there ever been times when you felt like giving up and how did you handle it?

A. Yes, I've definitely had those moments for different reasons. As an artist, you're playing a long game where the results might not show immediately. Quitting my job and other random thoughts get into my head. Although I don't necessarily think about giving up, I do wonder how to be smarter about my journey.

Q. Writing Imperfect Daughters, what was the hardest emotion to translate into this song?

A. The hardest emotion was acceptance. I don't think anyone ever gets a warning before becoming an adult—we're just plunged into it. So writing this song took me through a lot, but it eventually brought me to a point of acceptance and made me see it as a moment of triumph.

Getting out of my head to write. Most times in studio sessions, even when I have ideas, I often keep quiet. But I'm trying to get out of my head about that.

Q. If this song was a movie scene, what would it look like?

A. For "Imperfect Daughter," I've imagined it in coming-of-age movies—in those scenes where everything is going wrong, and then the song plays and the female lead gets that kick to pull her life together and be where she wants to be.

Q. What should your Fans and lovers be expecting from you in the future?

A. "Imperfect Daughter" is leading up to my second EP, which is coming out in the middle of the year, and I'm really excited about it. I'm also working towards my own show at the end of the year.

Over the course of three EPs and four albums, the 29-year-old Nigeria body rapper and singer has quietly built a body of work that charts his evolution. He has easily evolved into one of Nigeria’s most musical shapeshifters. - Clash Magazine

Nigerian rap provocateur Blaqbonez is turning the clock back to where it all began. On his new single “Hustle Kpa,” featuring Artsalghul, the Chocolate City star strips away the theatrics and revisits the raw hunger that powered his ascent from underground battler to one of Africa’s most dynamic hip-hop voices.

“Hustle Kpa” arrives as the lead single from the forthcoming No Excuses (Deluxe), scheduled for release later this month, extending the narrative of Blaqbonez’s fifth studio album No Excuses, which dropped in October 2025 and has already crossed 100 million cumulative streams across digital platforms. The original project delivered standout records like “ACL” and “Despacito” featuring FOLA, both of which individually surpassed 10 million streams, reinforcing the album’s commercial and cultural impact.

But while "No Excuses" celebrated the results of Blaqbonez’s relentless ambition, “Hustle Kpa” focuses on the grind that made it possible. 
Over a hard-edged, streetwise production, Blaqbonez raps with the urgency of someone who still remembers every sleepless night and every dismissed dream. The record channels the spirit of his formative years — when he was sharpening his pen in Nigeria’s battle rap circuit, freestyling relentlessly, and pushing his music through sheer willpower. Artsalghul complements the record’s ethos with a performance that underscores the song’s central theme: the unglamorous labour behind success.

It’s a reflective but triumphant moment for an artist whose career has been defined by reinvention. Born Akumefule Chukwuemeka George, Blaqbonez began rapping at 13 and first gained traction while studying at Obafemi Awolowo University, where his freestyle culture and online presence built a cult following. His early dominance in Nigeria’s battle rap scene — including winning Terry The Rapman’s Zombie competition and the Hennessy VS Class of 2015 — signaled the arrival of a formidable lyricist.

His trajectory accelerated after signing with Chocolate City Music’s 100 Crowns imprint, where he released “Bad Boy Blaq,” a project that debuted at #1 on the iTunes Nigeria Hip-Hop chart and marked the beginning of a prolific run. Over the years, Blaqbonez has continued to expand his sonic universe across projects like Sex Over Love, Young Preacher, and Emeka Must Shine, blending hip-hop, Afrobeats, drill, and alternative influences while cultivating a reputation as one of the continent’s most inventive personalities.

By the time No Excuses arrived in 2025, Blaqbonez had already become more than a rapper — he was a cultural strategist, an internet-savvy provocateur, and arguably one of the most visible champions of African hip-hop’s modern evolution.
With “Hustle Kpa,” he reminds listeners that before the accolades, endorsements, sold-out shows, and viral moments, there was simply the work.

Rising Afrobeats artist Taene returns with her most confident and defining release yet, “Million Girl,” available worldwide on March 6 across all major streaming platforms.

“Million Girl” is an unapologetic celebration of femininity, individuality, and self-worth. Driven by infectious Afrobeats production, striking melodies, and Taene’s fiery delivery, the single boldly declares what she has always embodied: she is one in a million.

“I’m particularly excited about this era because this is music I’m very proud of. It’s genuinely music I would listen to on repeat,” says Taene. “Confidence is a huge part of my brand and one of my strongest suits, so why not make an anthem emphasizing the fact that I’m the baddest? I am literally one in a million.”

With this release, Taene fully embraces her power. The record reflects a woman who does not seek validation, who stands firmly in her uniqueness, and who refuses to shrink herself for anyone. It’s bold, fearless, and intentionally empowering.

More than a personal statement, “Million Girl” is designed as an anthem for women everywhere , across every age, size, and background.

“The best thing about being an artist and a songwriter is that I can pen down whatever I’m feeling and make it cool,” she adds. “I want every girl out there to feel nothing short of special, cool, and honestly, sexy. They are beautiful, desired, and magical creatures who deserve to be celebrated.”

As Afrobeats continues to expand globally, Taene positions herself as part of the genre’s new wave, blending cultural rhythm with contemporary edge and global appeal. “Million Girl” marks a defining chapter in her artistic growth, reflecting elevated confidence, clarity, and creative direction.

With anticipation building, the single is set to make a strong impact across streaming platforms, social media, and radio.

“Million Girl” will be available worldwide on March 6.

 Through his lens JPEGBYPRINCE is doing more than capturing moments - he is chronicling the evolution of youth culture. A student of the game. The young king of youth culture documentation. His photography sits at the intersection of music, nightlife, fashion, and youth expression, creating a visual diary of what Nigerian youth culture looks and feels like in real time. 

The images reveal a culture that is loud, expressive and unapologetically alive. On stage, artists stand bathed in intense reds and electric blues, controlling crowds and transforming performances into cinematic spectacles. These are not just concert photos; they are portraits of a movement. The sweat, the stage lights, the gestures into the microphone - every frame preserves the raw energy that defines the current era of Nigerian music.

In these scenes, the artist becomes more than a performer. They are symbols of ambition and possibility for a generation that sees music as both expression and escape. Jpegbyprince's compositions frame them as larger-than-life figures, silhouetted against dramatic lighting and immersive stage design. The result is imagery that reflects how deeply music is embedded in youth identity today.

But his work doesn't stop at the stage. Turning his camera towards nightlife spaces, dance floors, and intimate cultural moments, he captures the environments where youth culture breathes. The neon glow of club signage, the crowded dance floors, and the DJ controlling the atmosphere all speak to a vibrant ecosystem surrounding Nigerian music - one where community and youth culture thrives.

What makes Jpegbyprince's work particularly significant is timing. Nigeria's music industry is expanding globally, and the culture around it is evolving rapidly. His photographs act as visual evidence of this transformation. Years from now, these images will not simply be seen as event photography; they will serve as historical records of a generation that helped push Nigerian music into a new global era.

In documenting these spaces - the stages, the raves, the crowds and the artistes - Jpegbyprince is quietly shaping the visual memory of Nigerian youth culture. His work captures the spirit of a scene that is still unfolding, ensuring that the energy, style and ambition of this moment are preserved long after this era fades.

CREDITS

 Written by: Mofiyinfoluwa Olulana

Images 2,3,4,5 : JPEGBYPRINCE 

 

CREATIVE CURRENTS WITH QUADRI MORIN (QUADMOR)

ISSUE 7.0  Feb. 2026

Interview Conducted By Olulana Mofiyinfoluwa

Designed by Chiagozie Mbuba

ORIGIN & CREATIVE IDENTITY 

Q. In a world where noise often overshadows intention, you choose focus. What influences the stories you tell visually? 

A. My visual stories are influenced by real-life experiences and moments of quiet reflection; the internal conversations people rarely express but constantly live with. I have experienced and observed the tension between who we are expected to be and who we are becoming. Decluttering has also become my way of resetting, so visually I am always asking; what truly matters here, and what can be stripped away without losing meaning? 

Q. How would you describe your creative journey so far, and what experiences have shaped your voice as a digital artist? 

A. My creative journey started as a form of expression for my inner dialogues. These dialogues push me to listen deeply and observe behaviors and patterns around me, while trying to understand the context behind them. Over time, art became the space where I could explore these questions without needing clear answers. Living and working across different creative disciplines has also helped shape a voice that is both reflective and intentional. 

RESTACKING THE ODDS – THE CONCEPT 

Q. Why was this the right time to tell this story through an exhibition? 

A. Honestly, the right time to start this conversation was many years ago. But for this exhibition, it felt right because I realized that self-empowerment is not something that is done and dusted; it is something we return to every day. I wanted people to recognize and appreciate that reality in their own lives. Many people are silently renegotiating their lives; redefining success, healing from setbacks, and questioning narratives they once accepted. My exhibition allows for pause. Unlike fast digital consumption, it invites people to stand with discomfort and possibility. Restacking The Odds needed physical space because the conversation it starts is internal, slow, and reflective. 

Q. What emotional or psychological states were you exploring while creating these pieces? 

A. I was exploring uncertainty, self-doubt, and quiet determination. There was a recurring tension between exhaustion and hope; between destinations and starting points. Many of the pieces emerged from moments where I felt stuck, yet aware that staying still was also a choice. Psychologically, the work reflects the process of reframing situations as motivation rather than failure.

 

Q. Walk us through your creative process; from idea to final piece.
A. The process usually begins visually. Emotions create a mental image in my head, and I reflect on the question that image might be answering. I sketch loosely and sit with the idea until it fully forms. From there, I experiment visually with characters, line work, and color. The final stage is about restraint; knowing when to stop, when the piece has said enough without over-explaining itself. 

SELF-EMPOWERMENT & RESILIENCE 

Q. Have you had moments where you had to “restack the odds” in your own life? 

A. Oh yes, many times; often in subtle ways rather than dramatic ones. Restacking the odds has meant choosing what I believe in over what I was taught to believe, redefining success on my own terms, and continuing to show up creatively even when outcomes were uncertain. It is less about winning and more about showing up honestly. 

Q. What does “reclaiming your story” look like in today’s world? 

A. Reclaiming your story today means disengaging from constant comparison and external metrics. It means deciding who gets to define your worth. In a world that rewards performance, reclaiming your story is choosing presence, self-awareness, and authorship over approval. 

DESIGN, STORYTELLING & PROCESS 

Q. Are there specific visual elements or motifs we’ll see repeatedly in this exhibition? 

A. Yes. You will see repetition through fragmented forms, and occasionally polka dot motifs. These elements reflect disruption, emotion, and movement. Nothing is accidental; each repetition reinforces the idea that growth is not linear, but iterative. 

IDENTITY & EMOTIONAL TRUTH 

Q. What conversations do you hope Restacking The Odds sparks around self-awareness and inner growth? 

A. I hope it sparks conversations about personal accountability without self-blame. About recognizing patterns, unlearning inherited narratives, and creating space for emotional honesty. The work invites viewers to ask themselves; where am I still playing by rules that no longer serve me?

 

Q. Is there a particular piece in the exhibition that holds the most personal meaning for you? 

A. Yes. There is one piece that emerged during a period of deep uncertainty. It represents a turning point; not because everything became clear, but because I chose to continue without clarity. That decision changed how I approach both art and life. 

THE EXPERIENCE 

Q. What should visitors expect to feel when they walk into the exhibition space? 

A. Visitors should expect a sense of stillness, reflection, and quiet confrontation. The space is designed to slow you down. Ideally, people leave feeling seen rather than instructed; challenged but not judged. 

IMPACT & LEGACY 

Q. What does success look like for you beyond numbers and recognition? 

A. Success looks like resonance. When someone recognizes themselves in the work and feels less alone in their internal struggles. It is about depth over reach; impact over applause.

 

Q. How do you hope your art empowers others navigating their identity? 

A. I hope the work reminds people that identity is not fixed, except for biological identity. It is permissible to evolve, to question, and to start again. Empowerment comes from realizing you are allowed to choose to redefine yourself at any point.

 

Q. What message do you want people to leave with after experiencing your work? 

A. That setbacks are not verdicts and Life is always about choosing. Not choosing to take control of your life and destiny is also a choice to not be in control of your life and destiny. That sort of awareness is power. And that restacking the odds often begins with an internal decision long before any external change appears.

LOOKING FORWARD 

Q. How has Restacking The Odds changed you as an artist and as a person?

A. It has made me more honest. I am less concerned with perfection and more committed to truth and expression. As a person, it has reinforced the importance of patience; trusting the process both creatively and personally. 

Q. Where do you see your creative journey evolving in the next few years? 

A. I see my practice expanding across mediums; combining art, design, and storytelling in more immersive ways. Restacking The Odds also has a documentary coming up. This came from questions that could not sit on the wall with the art; questions that needed real people and real stories to make a deeper impact. I am interested in building experiences that live beyond galleries; spaces where reflection, community, and growth intersect.

In 2004, Sunny Neji released “Tolotolo,” a song that quickly became a staple in Nigerian R&B and a soundtrack for a generation that understood playful, expressive love. Twenty-two years later, a new voice has entered the conversation. 

On February 19, emerging AfroSoulé artiste Nyinée (formerly known as RnB Princess) will release her new single, “Tolotolo.” While the word remains the same, the message evolves. Nyinée’s “Tolotolo” explores the tension between surface-level affection — the sweet, performative romance often celebrated in culture — and the deeper, intentional love that sustains real relationships. At its heart, the song asks a powerful question: will we settle for Tolotolo love, or rise to the standard of something real?

In a full-circle moment bridging two eras, Nyinée shared her single with Sunny Neji ahead of its release. His response on social media was simple and affirming: “Nice song,” accompanied by a few emojis. For Nyinée, that brief endorsement carried weight. “I’m truly delighted and honored,” she shares. “For a legend like Sunny Neji to even listen and respond means so much. I’m optimistic to meet him soon and thank him personally.”

With warm vocals, honest storytelling, and a contemporary AfroSoulé sound, Nyinée’s “Tolotolo” honors the past while confidently defining her own lane.

“Tolotolo” was released on February 19 and is officially available on all streaming platforms.

Philosophy has many different meanings; sometimes people tell you about their philosophy of life. They usually mean their deepest and most abiding beliefs or things that guide them to behave or do things in a particular manner. Spirkin (1983) posits that, "philosophy and art differ principally according to their subject-matter and also the means by which they reflect, transform and express it". In a certain sense, art, like philosophy, reflects reality in its relation to humans and depicts humans, their spiritual world, and the relations between individuals in their interaction with the world. Philosophy, as it relates to art, deals with the ideas and beliefs that drive and guide one into the creation of artworks. In this case, philosophy of art seems to be all- encompassing, as ideas could emanate from the artist’s socio-cultural environment, psychological, scientific, and sociological inclinations. Thus, most artists' artworks are driven by ideas and philosophies, and BemiStudi0 is not in isolation when it comes to that.

BemiStudi0’s symbolic series of paintings is philosophically inclined and engages with ideas drawn from existentialism, metaphysics, stoicism, and theological narratives. Through this gamut of works, BemiStudi0 reflects on fundamental questions about human existence and the nature of reality. The paintings explore themes of isolation, power, perception, and the limits of human understanding, presenting them in ways that invite reflection rather than direct answers.

In this series of paintings, BemiStudi0 philosophically attempts to capture life in its totality, even while acknowledging that life itself resists clear definition. Each painting becomes a visual investigation into what it means to exist, to perceive, and to endure within uncertain conditions. Rather than offering fixed meanings, the works remain open-ended, allowing viewers to bring their own experiences and interpretations into the encounter. Thus, the idea of unresolved runs throughout the series, emphasising uncertainty and unanswered questions. BemiStudi0 uses form, space, and symbolism to suggest philosophical positions without settling into a single narrative or conclusion. As a result, the paintings touch on different aspect of philosophical theories while remaining grounded in lived experience. Together, they form a contemplative space where thought, emotion, and belief intersect, reminding us of the complexity and fragility of human existence.

Perspective on Hello?

In the painting titled Hello?, BemiStudi0 depicts a male figure seated on what appears to be a box with an opening that suggests a hole. The male figure is painted in a mint green hue, while the background is painted mainly in dark blue, with other shades of blue, touches of red, and small areas of yellow. The background colours create a sense of tension and reflect the complexity of life. The contrast between the background colours and the mint green tone of the figure strengthens the composition and draws attention to the subject.

One of the striking aspects of the painting is the way the figure’s head is covered with what appears to be an oversized hat that completely hides the face. This disguise removes any clear identity or expression, suggesting anonymity and emotional withdrawal. The seated posture of the figure suggests stress, waiting, and expectation. The figure holds a telephone to the right ear with the right hand, an action that implies an attempt at communication. However, the absence of any visible response heightens uncertainty. As suggested by the title Hello?, the moment captured in the painting feels like a question that remains unanswered. See plate i one for Hello?

Plate i, Hello? Acrylic on Canvas. 2025

Philosophically, Hello? reflects ideas of existential isolation and interpretive relativism. The hidden face suggests the loss of individuality and the difficulty of being truly seen or understood in the modern world. The telephone, which ordinarily represents connection, becomes a symbol of silence and emotional distance. This reflects the human condition in which individuals seek meaning, connection, and reassurance, yet often encounter uncertainty and unanswered questions. Consequently, sometimes in life, despite repeated questioning and effort, answers do not always come. In this sense, the painting captures a moment of suspension, between hope and despair, communication and silence, presence and absence. The painting does not offer a solution but instead invites viewers to reflect on their own experiences of waiting, doubt, and unresolved questions. Through its restrained imagery and symbolic elements, Hello? remains faithful to the philosophical spirit of the series, emphasising uncertainty as an essential part of human existence.

Conclusion

In conclusion, this review has examined the philosophical inclinations in BemiStudi0’s symbolic series with a focus on the painting Hello?. Drawing from philosophical ideas rooted in existentialism, metaphysics, and interpretive uncertainty, the review shows how BemiStudi0 uses visual language to engage with fundamental questions about human existence, perception, and meaning. Rather than providing clear answers, the painting emphasises ambiguity and unresolved inquiry as central conditions of life. Finally, Hello? underpins the philosophical position that meaning is not fixed but continually shaped by experience and interpretation. By leaving questions unanswered, BemiStudi0 allows space for reflection and personal engagement, encouraging viewers to confront their own uncertainties and unresolved moments. The painting, like the symbolic series as a whole, affirms that uncertainty is not a weakness but a defining aspect of human existence. Through this open-ended approach, BemiStudi0’s work successfully bridges art and philosophy, offering a contemplative space where thought, emotion, and lived experience intersect.

This Piece was written by: Faida Samuel

Critic & Curator

Department of Fine Art 

Faculty of Environmental Design 

Ahmadu Bello University, Zaria 

faidasamuel@gmail.com

Nigerian producer NYRP (Not Your Regular Producer) has officially released his first single of the year, “Take Control,” featuring Nigerian vocalist Shorae Moore and Colombian artist EL RM. The record marks a bold new chapter for NYRP as he continues to position himself as one of the leading African producers driving cross-continent collaborations.

“Take Control” is a smooth, emotionally charged Afro-pop record built on confidence, vulnerability, and emotional clarity. The song seamlessly blends Shorae Moore’s soulful Nigerian delivery with EL RM’s textured Mexican influence, all brought together by NYRP’s polished, globally-minded production style.

With this release, NYRP intentionally stretches beyond regional boundaries, pairing African and Mexican artistry on the record a move that reflects his growing vision of African producers as cultural connectors in global music conversations. Rather than following trends, NYRP is actively shaping a sound that travels across borders while remaining rooted in authenticity.

“Take Control” arrives on the back of a strong 2025 run for NYRP, whose catalog continues to grow quietly but impactfully. Over the past year, he has worked across records and projects with L.A.X, Taves, Ayo Maff, Jinmi Abduls, Candy Bleakz, King Perry, Terri, and several rising artists.

An alumnus of the Sarz Academy, NYRP’s sound is shaped by both technical excellence and deep musical roots. His journey began in the church choir at age seven, evolving through live instrumentation before transitioning fully into music production and songwriting a background that continues to inform his layered and intentional approach to music.

With “Take Control,” NYRP opens the year not just with a new release, but with a clear statement of intent: African producers can lead global collaborations, not just participate in them.

LISTEN TO “TAKE CONTROL NOW”

Women in Music Tanzania (WIM Tanzania) a professional community and industry platform, is delighted to appoint Nina Brianna Sokoine as its Vice Chair. This appointment bolsters WIM Tanzania’s leadership as it continues to expand access, learning visibility and practical pathways supporting a more structured and sustainable music industry.

Nina is a legal and creative professional from Tanzania, who brings her expertise to the meeting point of music, business strategy and industry growth. Her focus is on creating the foundations for culture, such as partnerships, governance and systems that support creative talent and businesses in thriving over time.

WIM Tanzania leadership noted that ‘Nina brings a rare mix of industry know-how and strong work ethic’. ‘Her experience in music operations, entertainment law, partnerships and building the industry ecosystem really fits in with our goal of helping women find real opportunities and build lasting careers in the industry.’

Nina has a wealth of experience in the music industry, having worked in both operational and advisory capacities. Before that, she was an Operations Manager at an Artist Management Company in Tanzania, where she helped with the day-to-day operations and the business aspects of artist careers. Additionally, she was a corporate attorney and entertainment law advisor at Breakthrough Attorneys, where she supported entertainment and business matters, particularly focusing on professional structure and ensuring long-term success.

Nina is currently working as an Associate (IP, Media & Corporate Law) at Quinn Law Chambers, Project Manager at the Tanzania Kreative Business Hub and Head of Strategic Partnerships at BXTRA. In addition to these roles, she is leading her own projects in branding and communications, which gives her a unique view on cultural strategy and building the industry.

Nina’s role as Vice Chair is to enhance WIM Tanzania’s impact. This involves strengthening industry relationships, supporting capacity-building and confidence-building programmes and translating community efforts into nationwide, African and global outcomes. Her focus is on career access, knowledge, visibility and sustainable opportunities for women within the music industry.

About Women in Music Tanzania (WIM Tanzania)

Women in Music Tanzania is a professional community and platform that helps women thrive in music and related creative areas. WIM Tanzania focuses on growth by connecting people, sharing knowledge, making women more visible and building the industry. These efforts aim to increase access, improve pathways and create a more sustainable creative environment.

"I am proud to welcome Nina as our new Vice Chair. Her passion, leadership and commitment to uplifting women in the music industry reflect the values of our organization. I am confident that together we will continue to build stronger opportunities, visibility and impact for women in music across Tanzania."- Jusnah Gadi , WIM Tanzania Chair.

WIM Tanzania is officially back and better than ever. Expansion has already begun and we’re seeking members who share our vision of cultivating greatness in the music industry for women. Membership registration is ongoing so don’t miss out – the year ahead is packed with surprises designed to broaden your learning networking and many other opportunities. Keep an eye on our socials; you never know what you might discover.

 Multidisciplinary artist Vyn Lorenzo, visionary painter, fashion creator, and musician, takes a major step in his international career today by announcing the signing of an exclusive global management deal with multi-Grammy producer and world-renowned artistic strategist DannyBoyStyles

                                 

Under this groundbreaking partnership, DannyBoyStyles becomes Vyn Lorenzo’s exclusive global creative manager and strategic partner, overseeing the development of his music, art, and cultural presence worldwide. At the same time, Navarro W. Gray joins as Vyn Lorenzo’s lead lawyer and business manager, handling all legal, contractual, and financial aspects of the artist’s projects.

This dual-structured team combines creativity, strategic guidance, and legal security, providing Vyn Lorenzo with a solid platform to reach new global audiences.

Vyn Lorenzo: A Creator Who Transcends Disciplines

Vyn Lorenzo has established himself as a singular artist, blending contemporary painting, fashion, design, and music into bold and immersive experiences. Every project reflects his unique identity, where aesthetics and emotion converge to create works that resonate visually and culturally.

With DannyBoyStyles’ strategic guidance and Navarro W. Gray’s legal and business oversight, Vyn Lorenzo can structure his career while maintaining complete creative freedom.

DannyBoyStyles: A Top-Tier Creative Partner

Multi-Grammy award-winning producer DannyBoyStyles has shaped some of the most influential musical projects of the past decade. His ability to craft distinctive sonic universes and develop international careers makes him an ideal strategic ally for Vyn Lorenzo.

Among his landmark collaborations are The Weeknd (Kiss Land, Beauty Behind the Madness), Beyoncé (6 Inch – Lemonade), and projects with Juicy J, French Montana, NAV, and Belly. These successes have cemented his reputation as a masterful architect capable of elevating artists to global recognition.

Simultaneously, Navarro W. Gray supervises legal protection, contracts, partnerships, and financial strategy for Vyn Lorenzo. His role ensures that every creative or commercial initiative is secure, sustainable, and aligned with the artist’s international ambitions.

A Comprehensive Global Strategy

This strategic partnership offers Vyn Lorenzo:
• Creative direction and global management: DannyBoyStyles
• Legal and business management: Navarro W. Gray

By combining artistic vision, international networks, and legal expertise, Vyn Lorenzo enters a new phase where visual art, music, and branding converge to create a strong, cohesive global presence.

Towards Enhanced Global Recognition

With DannyBoyStyles and Navarro W. Gray at his side, Vyn Lorenzo reaches a historic milestone, solidifying his position among the most influential figures in contemporary art and global culture. This collaboration represents the perfect fusion of creativity, excellence, and strategic vision, paving the way for new collaborations and sustainable worldwide impact.